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Three flaps sit on one side of the camera, covering microphone in, headphone out, full-sized HDMI, USB-C, 12V power, and two mini XLR ports.

What you do get, however, is a wonderfully comprehensive suite of ports. There’s no pop-up flash, wireless shutter-release slot, pre-fitted EVF or hot shoe. It’s always been a mystery why video-focused cameras such as the Sony A7S III and FX3 have small 4:3 touchscreens, but the 6K Pro’s ample 16:9 offering is excellent, and justifies a good portion of the heft.Ī focus on video is a constant with the Pocket Cinema Camera 6K Pro’s design.

In turn, it’s a big bit of kit, but it’s also super-capable.įor starters, unlike traditional mirrorless cameras, the Pocket Cinema Camera 6K Pro sports a huge, 5-inch tilt-screen around the back. The Blackmagic Pocket Cinema Camera 6K Pro weighs 1.2kg, which is more than double the weight of cameras such as the Sony A7C – Sony’s ‘budget’ full-frame offering – and that’s without any lenses, battery grips or accessories. The company started with components and software in 2002, then moved into creating the wildly popular URSA camera line for pro-grade videographers.īut with an unapologetic focus on video quality over optional extras such as continuous autofocus and in-body image stabilisation (IBIS), are the omissions out of the gate enough to put more casual videographers and YouTubers off the 6K Pro? Or is this still one of the best cameras around? Blackmagic Pocket Cinema Camera 6K Pro build quality and handling – Chunky, modular and funky, but a bit clunky

The brains behind the Pocket Cinema Camera 6K Pro, Blackmagic Design, has been a staple in the world of video production for years.

Don’t let the Blackmagic Pocket Cinema Camera 6K Pro name throw you there’s nothing pocketable about this powerful, video-demon, but there’s plenty to love.